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Sandwiched into Joss Whedon's busy schedule of TV series and big-screen features was an unexpected low-budget adaptation of Shakespeare's comedy Much Ado About Nothing â€” shot in black and white. Film critic David Edelstein says it's a delight. (Recommended) Source: freshair.npr.org
In her new series for The New York Times, reporter Louise Story traces the complicated relationship between localities and the corporations they want to lure to their states, counties and cities to help promote economic growth.